For the documentation of the project “New artistic opportunities by improvisational use of composition techniques, - a new computer instrument for the performing musician”
Øyvind Brandtsegg 2008.
Ableton (company) (-) ”Live” Software, webref: http://www.ableton.com/index.php?main=live Last visited January 10th 2008.
Alterhaug, B. (2004) “Improvisation on a triple theme: Creativity, Jazz Improvisation and Communication”. Studio Musicologica Norvegica Vol 30 2004 p.97 – 118. Universitetsforlaget, Oslo.
Andersson, M. (2005) ”Å la seg bli spilt på”. Musikk-kultur 6-2005 p. 28-30. Citations from this article in the scholarship reflection text are translated to English by Øyvind Brandtsegg.
Ariza, C. (-) ”athenaCL” Software, available on the web: http://www.flexatone.net/athena.html Last visited January 10th 2008.
Ariza, C. (-) ”algorithmic.net: algorithmic composition resources” Website, address: http://www.flexatone.net/algoNet/ Last visited January 10th 2008.
Assayag, G. & Dubnov, S (2004) ”Using Factor Oracles for Machine Improvisation”. Available on the web: http://mediatheque.ircam.fr/articles/textes/Assayag04a Last visited January 10th 2008.
Babbitt, M. (1971, 2003) “Occasional Variations”, composed and realised on RCA Mark II Synthesizer. Compact Disc TZ 7088. Tzadik, New York.
Bailey, D. (1992) “Improvisation: It’s Nature and Practice in Music”. 2. edition. Da Capo Press, USA.
Barabasi, A. (2002) ”Linked.” Plume/Penguin Books
Bentley, P., Corne, D. (2002) “Creative Evolutionary Systems”. Morgan Kaufmann Publishers, USA.
Berendt, J.E. (1992) ”The Jazz Book”. Lawrence Hill Books, Brooklyn, New York.
Biles, J. (2002) “GenJam: Evolution of a Jazz Improviser” i “Creative Evolutionary Systems” (Bentley 2002)
Boulanger, R. (2000) “The Csound Book.” The MIT Press
Boulez, P. (1951). ”Le marteu sans maître”, recording: Compact Disc MK42619 CBS Masterworks (1989).
Boulez, P. (1961). “Structures pour deux pianos”, recording: Compact Disc “Boulez: Le marteu sans maître” MK42619 CBS Masterworks (1989).
Boulez, P. (1984) “Répons”. Released on Compact Disc in 1998 “Boulez : Répons” 289 457 605-2 Deutsche Grammophon, Hamburg.
Boye Hansen, P (2005) ”Kunstens egenverdi” article in Dagbladet, Oslo 10th June 2005.
Brandtsegg, Ø. & Asbjørnsen, K. & Dahl, T (1997) “Sub” Compact Disc CLP CD 31, Curling Legs, Oslo.
Brandtsegg, Ø. (1997-2) “Sjakktrekk for Trio” Recording available on the web: http://teks.no/oeyvind Last visited January 10th 2008.
Brandtsegg, Ø (1997-3) “Follow Me -97” Released on Compact Disc in 1998, “Max User’s Group Sampler CD”, McGill University, Canada. Also available on the web: http://teks.no/oeyvind Last visited January 10th 2008.
Brandtsegg, Ø. (2002 –) “ImproSculpt” Software for live sampling and interactive composition. Available on the web: http://improsculpt.sourceforge.net/pmwiki/pmwiki.php Last visited January 10th 2008.
Braxton, A. (1993) “4 (Ensemble) Compositions – 1992” Compact Disc 120124-2 Black Saint / IREC, Milano.
Brown, P. (2002) ”Opportunities for Evolutionary Music Composition”. Proceedings of the 2004 Australasian Computer Music Conference.
Budds, M (1990) “Jazz in the Sixties” Expanded edition. ISBN 0-87745-281-4. University of Iowa Press
Burns, K (2004) “History of electronic and computer music including automatic instruments and composition machines” Available on the web: http://eamusic.dartmouth.edu/~wowem/electronmedia/music/frames.html Last visited January 10th 2008.
Burns, K. H. 1994. The History and Development of Algorithms in Music Composition, 1957-1993. D.A. Dissertation, Ball State University. Internet: http://eamusic.dartmouth.edu/~wowem/hardware/algorithmdefinition.html Last visited January 10th 2008.
Cage, J. (1951) “Music of Changes”, recording: Compact Disc (1998) MDG 613 0786-2 Musikproduktion Dabringhaus und Grimm, Bachstr., Detmold
Cage, J. (1951, 1994) “16 Dances”, Composition, first performed in 1951, here reference is made to recording on CD. 09026 61574 2 BMG/RCA 1994.
Casserley, L. (1997) ”A Digital Signal Processing Instrument for Improvised Music”, Journal of Electroacoustic Music Volume 11
Chadabe, J. (2001) ”Many Times” Compact Disc. EMF 151, Electronic Music Foundation, Albany, New York.
Childs, E. (2003) “MUSICAL SONIFICATION DESIGN”. Master of Arts Thesis, DARTMOUTH COLLEGE, Hanover, New Hampshire
Cochran, W. (1973) ”The Dynamics of Atoms in Crystals”. Edward Arnold, London.
Cope, D. (2001) ”Virtual Music: : Computer Synthesis of Musical Style. ” The MIT Press
cycling74 (company) (-) ”Max/MSP”. Software, available on the web: http://www.cycling74.com Last visited January 10th 2008.
Dahlhaus, C. (1979). “Was heist improvisation ?” I Improvisation und Neue Musik: Acht Kongressreferate. Reinhold Brinkmann(ed.) 9-23. Mainz: Schott.
Digidesign (company) (-) “Pro Tools” Software, webref: http://www.digidesign.com/ Last visited January 10th 2008.
Dobrian, C. (1991). “Thoughts on Composition and Improvisation”. Published on the web, University of California. http://music.arts.uci.edu/dobrian/CD.comp.improv.htm Last visited January 10th 2008.
Dybo, T. (1999) “Analyzing interaction during jazz improvisation”. Jazzforschung no 31, p. 51-64. Akademische Druck-u. Verlagsanstalt. Graz.
DuBois, R. (2003) “Applications of Generative String Substitution Systems in Computer Music”, dissertation, Columbia University, USA.
Emagic (company) (-) “Logic” Software, webref: http://www.apple.com/logicpro/ Last visited January 10th 2008.
Forte, A, (1977) “The Structure of Atonal Music”. ISBN 0300021208. Yale University Press
Franz, D.M. (1998) “Markov Chains as Tools for Jazz Improvisation Analysis”. Master of Science Thesis, Virginia Polytechnic Institute and State University.
Fredriksson, G. (1994) ”Wittgenstein”, translated by Kjell Olaf Johansen, Forlaget Oktober, Oslo. Citations from this book in the scholarship reflection text are translated to English by Øyvind Brandtsegg.
Frounberg, I (1987-89, 1996) “What did the Sirens Sing as Ulysses Sailed by ?“ Released on Compact disc in 1996. Dacapo, Copenhagen.
Gogins, M. (2003) MUSIC GRAPHS FOR ALGORITHMIC COMPOSITION AND SYNTHESIS WITH AN EXTENSIBLE IMPLEMENTATION IN JAVA. Available on the web: http://www.csounds.com/gogins/silence/MusicGraphs.pdf Last visited January 10th 2008.
Gogins, M. (2003, -). “CsoundVST”, addition to the software ”Csound” (Vercoe, B., ffitch, J. et.al. 1986, -). Available on the web together with Csound: http://sourceforge.net/projects/csound/. Last visited January 10th 2008. Note: CsoundVST have currently been renamed CsoundAC.
Gogins, M. (2006) “Score Generation in Voice-Leading and Chord Spaces”. ICMC 2006. Available online at: http://ruccas.org/pub/Gogins/icmc2006-mkg.pdf Last visited January 10th 2008.
Haugland, g. e. (2005) ”Haugland og Thommesen: Tid for erkjennelse”. Interview with Olav Anton Thommesen. Ballade, www.ballade.no. Last visited January 10th 2008. Citation from this interview in the scholarship reflection text is translated to English by Øyvind Brandtsegg.
Hiller, L. & Isaacson, L. (1957) “Illiac Suite”, released on Compact Disc in 1989. “Computer Music Retrospective”, WER 60128-50, WERGO Schallplatten GmbH, Mainz, Germany
Hofstaedter, D. (1979) “Gödel, Escher, Bach : an Eternal Golden Braid”, ISBN 0-465-02656-7. Basic Books, USA
Johannesen, K (1984) ”Kunst, språk og estetisk praksis”, University in Bergen. REF
Johannesen, K (1991) ”Grunnlagsproblemer og vitenskapssyn i de estetiske disipliner”. NAVF/EST1, Oslo 1991
Jorda, S. 2001. ’’Improvising with Computers: A Personal Survey (1989–2001).” Proceedings of the 2001 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 1–8.
Koenigsberg, C.K. (1991) “Karlheinz Stockhausen's New Morphology of Musical Time” for David Bernstein's Seminar on 20th Century Theories of Musical Time. Mills College, California. Available on the web. http://www.music.princeton.edu/~ckk/smmt/index.html Last visited January 10th 2008.
Koenigsberg, C.K. (1996) electronic posting to “cecdiscuss: The International Electroacoustic Community Discussion Group Mailing List”. http://alcor.concordia.ca/~kaustin/cecdiscuss/1996/0925.html Last visited January 10th 2008.
Krefeld, V. The Hand in The Web: An Interview with Michel Waisvisz, Computer Music Journal, Vol. 14, No. 2, 1990
LaFosse, A. (2004) “Frippertronics” article on the web site “Looper’s Delight”. http://www.loopers-delight.com/tools/frippertronics/frippertronics.html Last visited January 10th 2008.
Lake, S. (1997) Liner notes to Compact Disc “Evan Praker Electro-acoustic ensemble: Toward the margins” ECM New Series 1612
Lerdahl, F. (1987) “Timbral Hierarchies”. Contemporary Music Review, 1, 135 - 160
Lewis, G. (1992) “Voyager”, Compact Disc, CD 014 Avant Records, Tokyo
Lewis, G. (1996). ”Improvised Music After 1950 Afrological and Eurological Perspectives”. Black Music Research Journal, Vol 16, No1, s 91-122
Lewis, G. (2000) ” Too Many Notes: Computers, Complexity and Culture in Voyager “ Leonardo Music Journal 10 (2000) 33-39
Lippe, C. (1993) “Music for Sextet and ISPW”. Released on Compact Disc in 1995, “CDCM Computer Music Series Volume 21” CRC 2255. Centaur Records, USA.
Livingston, H. (2000) “Strings And Machines”. Compact Disc, with liner notes. EMF CD 017, Electronic Music Foundation, Albany, New York.
Machover, T. (1990) “Bug Mudra”, released on Compact Disc “New Music with Guitar, Vol 4” BCD 9022, Bridge Records, USA.
Machover, T. (1993) “Bounce”, released on Compact Disc I 1994 “Bounce, Chansons d’Amour” BCD 9040, Bridge Records, USA.
Mahavishnu Orchestra (1973). “Birds of Fire”. Released on Compact Disc in 2000. B00004VWA8 Sony Music, USA.
Maldonado, G. (1997, -) “CsoundAV”, software. Available on the web. http://www.csounds.com/csoundav/index.html Last visited January 10th 2008.
Mann, T. (1947) “Doktor Faustus”, translated by Dag Østerberg, Gyldendal Forlag, Oslo. Citations from this book in the scholarship reflection text are translated to English by Øyvind Brandtsegg.
Mathews, M. & Boulanger, R. (1997). “The 1997 Mathews Radio-Baton & Improvisation Modes”, from ”Proceedings of the 1997 International Computer Music Conference — Thessaloniki Greece”, available on the web. http://www.csounds.com/mathews/papers/ICMC1997_HTML/BatonICMC97.html Last visited January 10th 2008.
McCarney (1996 –) “Supercollider” A real time audio synthesis programming language. Available on the web. http://www.audiosynth.com/ Last visited January 10th 2008.
Miranda, E.R. (2001) “Composing Music with Computers.” Focal Press
Osa, T. (2000) ”Om kunnskap i kunst som å sjå noko som noko”, Arabesk no. 1(2000), p. 36-39
Paul, D (1997). “Karlheinz Stockhausen by David Paul” (interview). Publ. Seconds #44-1997. Available on the web. http://www.stockhausen.org/stockhausen%20_by_david_paul.html Last visited January 10th 2008.
Peters, M (2004) “The Birth of Loop”, article on the web site “Looper’s Delight”. http://www.loopersdelight.com/history/Loophist.html Last visited January 10th 2008.
Piencikowski, R. (1989). Liner notes to Compact Disc “Boulez: Le marteu sans maître” MK42619 CBS Masterworks.
Propellerheads (company) (-) ”Recycle”, software. webref: http://www.propellerheads.se/index.cfm Last visited January 10th 2008.
Puckette, M. (1991). "Combining Event and Signal Processing in the Max Graphical Programming Environment." Computer Music Journal 15(3), pp. 68-77.
Puckette, M. (1991). "FTS: A Real-time Monitor for Multiprocessor Music Synthesis." Music Conference.San Francisco: Computer Music Association, pp. 420-429.
Puckette, M. 1988. "The Patcher," Proceedings, ICMC. San Francisco: International Computer Music Association, pp. 420-429.
Puckette, M. ,Zicarelli, D. (1991) ”MAX Development Package Manual”. Palo Alto: Opcode, Inc.
Puckette, M. (1996) "Pure Data: another integrated computer music environment." Proceedings, Second Intercollege Computer Music Concerts, Tachikawa, Japan, pp. 37-41.
Puckette, M. (-) ”PD” Software. Available on the web: http://www.crca.ucsd.edu/~msp/ Last visited January 10th 2008.
Rasmussen. B. (2005) ”Kunst er viten”. Uniped, 1/2005, pp. 33-39. ISSN-1500-4538
Reinholdsson, P. (1998) “Making Music Together” ISBN 91-554-4243-9. Studia Musicologica Upsalensia, Universiy in Uppsala, Sweden.
Risset, J.C. (1989) “Eight Sketches: Duet for One Pianist” released on Compact Disc in 1994 “Electro Acoustic Music III” NEUMA 450-87. Neuma Records, USA.
Roads, C (1996) “The Computer Music Tutorial”. MIT Press
Roads, C. (2001) “Microsound”. MIT Press
Russel. G (1959) “The Lydian Chromatic Concept of Tonal Organization for Improvisation”. Concept Publishing, New York.
Saariaho, K. (1986) “Lichtbogen”. Released on Compact Disc in 2002. ODE 997-2. Ondine, Helsinki.
Schoenberg, A. (1944) “Piano Concerto Op. 42”, Recording: Compact Disc (1995) CHAN 9375 Chandos Records, Essex
Sharp, E, & Parkins, Z. (1996). “Psycho~acoutsic > Blackburst” Compact disc. Victo CD 044. Victo, Quebec, Canada.
Sharp, E. (1998 a) ”Cyberpunk and the Virtual Stance”, best of album from the period 1984 – 1988). With liner notes. Compact Disc ALP 95 CD, Atavistic, Chicago, Illinois.
Sharp, E. (1998 b) ”rwong territory”, Elliot Sharp and DJ Soulslinger, live in St.Ingbert. Compact Disc CSR43, Cavity Search, Portland Oregon
Sharp, E. (1999) ”errata” Elliott Sharp:tectonics. Compact Disc KFR 255, Knitting Factory Records, New York.
Smalley, J. (2000) “Gesang der Jünglinge: History and Analysis”. Available on the web. http://www.music.columbia.edu/masterpieces/notes/stockhausen/GesangHistoryandAnalysis.pdf Last visited January 10th 2008.
Stern, M. (1991) “D.C”, recording: Compact Disc “Odds or Evens” 7567-82297-2 Atlantic Jazz, New York.
Steinberg (company) (-) “Cubase” Software, webref: http://www.steinberg.de Last visited January 10th 2008.
Stockhausen, K. (1957) "...how time passes...", Die Reihe #3, English translation. Cornelius Cardew 1959.
Stockhausen, K. (1960) “Kontakte”, recording: Compact Disc (1992) WER 6009-2 Schott Wergo Music, Mainz
Stockhausen, K. (1970) “Mantra”, released on Compact Disc I 1997. 464 269-2 Musidisc, Frankrike.
Stockhausen, K. (1971) Discussion held during Stockhausen’s lecture “Live Electronic and Intuitive Music” on November 15th 1971 at “Institute of Contemporary Arts in London”. Filmed and transcribed by Allied Artists, London. Available on the web. http://www.stockhausen.org/intuitive_music.html Last visited January 10th 2008.
Stravinsky, I. (1942) “Poetics of Music – in the form of six lessons”. Collection of lectures held at Harvard College during the academic year 1939-40. Harvard University Press. ISBN 0-674-67856-7.
Strogatz, S. (2003) ”Sync: The Emerging Science of Spontaneous Order” Hyperion Books
Symbolic Sound (company) (-) “Kyma/Capybara”. Programvare, hardware. Webref: http://www.symbolicsound.com Last visited January 10th 2008.
Tornquist, P. (2006) “Improvisasjon, interaksjon, komposisjon” (“Improvisation, interaction, composition”). Documentation of scholarship project in the Program for Research Fellowships in the Arts. Library of Norsk Musikkhøgskole
Tristano, L. (1949) The recordings “Intuition” and “Digression” form 1949. Released on LP “Capitol Jazz Classics vol 14. Crosscurrents, Lennie Tristano Buddy Defranco. M11060 Capitol/EMI
Trueman D. (-) Web site with info and artist biographies for the project “Five and a half Gardens”. http://silvertone.princeton.edu/%7Edan/five_and_a_half_gardens/bios/bios.htm Last visited January 10th 2008.
Tymoczko D. (2006) “The Geometry of Musical Chords”. Science 7 July 2006: Vol. 313. no. 5783, pp. 72 – 74, DOI: 10.1126/science.1126287. Available online at: http://www.sciencemag.org/cgi/content/full/313/5783/72?ijkey=wzKBea3ktKdu2&keytype=ref&siteid=sci Last visited January 10th 2008.
Vaggione, H. (1992). “KITAB”. Released on Compact Disc in 1995, “CDCM Computer Music Series Volume 21” CRC 2255. Centaur Records, USA.
Vercoe, B., ffitch, J. et.al. (1986, -) “Csound”, software. Available at http://sourceforge.net/projects/csound/ Last visited January 10th 2008.
Vercoe, B. (1996) ”Extended Csound”. On the Edge, p 141–142. ICMA, ICMA og HKUST. ISBN 0-9667917-4-2.
Vinjar, A. (1996) Innledning til Common Lisp og Datamaskin-assistert komposisjon. Available on the web. http://www.notam02.no/arkiv/kurs/SYMBOLSK/node32.html Last visited January 10th 2008.
Vaa, A. og Tverrbakk, P. G. (2005) ”Utdatert kunstsyn”, debate contribution in Dagbladet, Oslo 10th June 2005.
Weather Report (1971) “I sing the Body Electric”. LP, Columbia KC 31352
Wittgenstein, L. (1953), ”Filosofiske Undersøkelser” Pax Forlag Oslo (1997)
Xenakis, I. (1956) “Pithoprakhta”, released on Compact Disc in 1993, ” Metastasis, Pithoprakta”, LDC 278368, Le Chant du Monde.
Xenakis, I. (1992) “Formalized Music” New expanded edition. Harmonologica series no 6. ISBN 0-945193-24-6. Pendragon Press, Stuyvesant, New York.
Yi, S. (-) “Blue”. Software. Available on the web: http://www.csounds.com/stevenyi/blue/index.html Last visited January 10th 2008.
Remarks:
Some references have been stated with company name; these apply to commercially available software. In these instances, the company name is followed by “(company)".
The dash (-) has been used in place of a specific year if references are made to software that still is in the process of being developed as to date (January 2008).